By Robert F. Berkhofer Jr.
What makes a narrative, sturdy? Is there this type of factor as a "true tale" (cf. Lucian)? What a few tale approximately genuine problems--problems that underlie the discursive models of the day? What makes a narrative rather great--not only in scope, yet in depths? Berkhofer's quantity ignores those and akin questions. He prefers to roll again into modern "discourse" or groundless (!) speak, as though there have been not anything extra pressing and important--nay, meaningful--for students (including historians) to debate than the outside of actually empty talk--a speak that, without doubt, is of significant curiosity to many, arguably accurately due to its emptiness--of its superficiality, its mildly subtle utter loss of depths.
It is valid to suspect that the writer hasn't ever studied (read: taken heavily) any reasoned-out ebook written earlier than the trendy delivery of "Ideology," i.e. the fashionable "politicization" of philosophy. No critical suggestion is given to the chance that truth isn't exhausted by means of ancient (material) appearances. What ancient/classical resources might regard as key to any stable history--namely a willing knowing of the permanent/central difficulties of political existence, sporting with it a potential to make superficial concessions to the style or spirit of the times--disappears within the "beyond" welcomed via our writer, a "beyond" full of skill likely looking ahead to existential Nothingness as their unquestioned, tyrannical finish.
The challenge we're all confronted with--in Berkhofer's company--is that of ends. Berkhofer turns out to imagine that the simplest severe stance rests upon a prejudice opposed to all ends: all ends has to be groundless (i.e. there's no finish by means of nature--hence the "Cartesian" feel of simple task that implies needs to be attended to earlier than and independently of ends). Socratic or zEtetic inquiry (openness to truth/reality as a ordinary finish) is overlooked in desire of a significantly extra trendy discussion open to nowhere. the last word "Great tale" past all not-so-great tales is NIHILISM. the fee to be paid for lack of actual greatness (think of Thucydides, for example) is dire.
One reviewer defends Berkhofer's quantity via invoking "the velocity of erudition," which reads as a codeword for "Progress". purple lighting fixtures flash for "Grand Narrative" (or "Great Stories").
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Extra resources for Beyond the Great Story: History as Text and Discourse
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